{"id":182336,"date":"2023-06-22T15:12:05","date_gmt":"2023-06-22T13:12:05","guid":{"rendered":"https:\/\/www.monaco-tribune.com\/2023\/06\/monet-and-the-cote-dazur-a-story-of-love-and-light\/"},"modified":"2023-06-22T15:16:55","modified_gmt":"2023-06-22T13:16:55","slug":"monet-and-the-cote-dazur-a-story-of-love-and-light","status":"publish","type":"post","link":"https:\/\/www.monaco-tribune.com\/en\/2023\/06\/monet-and-the-cote-dazur-a-story-of-love-and-light\/","title":{"rendered":"Monet and the C\u00f4te d&#8217;Azur: A story of love and light"},"content":{"rendered":"\n<p><strong>Marianne Mathieu, curator of the exhibition about the painter and the Principality, was the guest at the Rendez-Vous Culturels (Cultural Conferences) at the H\u00f4tel M\u00e9tropole.<\/strong><\/p>\n\n<p>From 8 July to 3 September, the Grimaldi Forum will be hosting a truly exceptional exhibition: &#8220;Monet en Pleine Lumi\u00e8re.&#8221; (Monet in Full Light)<\/p>\n\n<p>An exhibition that is dedicated to the Impressionist painter, designed by Marianne Mathieu, a Monaco-born art historian who is deeply passionate about Impressionism, and Monet in particular.<\/p>\n\n<p>Having fallen in love &#8220;by chance&#8221; with the painter, born in 1840, the exhibition&#8217;s curator was invited by the H\u00f4tel M\u00e9tropole Monte-Carlo to give a foretaste of what the public will see in July, and to describe the ties between the artist and the French Riviera and Monaco.<\/p>\n\n<h2 class=\"wp-block-heading\" id=\"h-il-y-a-140-ans-monet-vient-pour-la-premiere-fois-sur-la-cote-d-azur\">Monet came to the Riviera for the first time 140 years ago.<\/h2>\n\n<p>&#8220;This was an opportunity: the anniversary of Monet&#8217;s first stay in Monaco,&#8221; says Marianne Mathieu. Claude Monet discovered the Riviera in 1883. The painter, who was still little known at a time when Impressionism was frowned on, could not make a living from his paintings. &#8220;He needed to earn money and become recognised. So he had to find a new way of promoting his work, at a time when the art market was just starting out,&#8221; says Marianne Mathieu.<\/p>\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1020\" height=\"765\" src=\"https:\/\/www.monaco-tribune.com\/wp-content\/uploads\/2023\/06\/laurence-genevet-marianne-mathieu-rendez-vous-culturels-metropole.jpeg\" alt=\"laurence genevet marianne mathieu rendez vous culturels metropole\" class=\"wp-image-181750\" srcset=\"https:\/\/www.monaco-tribune.com\/wp-content\/uploads\/2023\/06\/laurence-genevet-marianne-mathieu-rendez-vous-culturels-metropole.jpeg 1020w, https:\/\/www.monaco-tribune.com\/wp-content\/uploads\/2023\/06\/laurence-genevet-marianne-mathieu-rendez-vous-culturels-metropole-400x300.jpeg 400w\" sizes=\"auto, (max-width: 1020px) 100vw, 1020px\" \/><figcaption class=\"wp-element-caption\"><em>Marianne Mathieu (right) answered Laurence Genevet&#8217;s questions at H\u00f4tel M\u00e9tropole &#8211; All rights reserved<\/em><\/figcaption><\/figure>\n<\/div>\n<p class=\"related\"><a href=\"https:\/\/www.monaco-tribune.com\/en\/2023\/06\/monaco-art-week-details-of-upcoming-fifth-edition\/\">Monaco Art Week: details of upcoming fifth edition<\/a><\/p>\n\n<h2 class=\"wp-block-heading\" id=\"h-monet-decouvre-les-couleurs-de-la-riviera\">Monet discovers the colours of the Riviera<\/h2>\n\n<p>Being accustomed to the cold colours of northern France, he discovered an absolutely spectacular light on the Riviera. &#8220;When Monet arrived in Monaco, he was with Renoir. He set up his easel next to the Vigie and made two paintings. Monet later wrote to his dealer: &#8220;I&#8217;m going back, and I want to go back just to paint my impressions.&#8221; We can therefore consider that what Monet painted after the trip to Monte Carlo is work that is his alone,&#8221; she says.<\/p>\n\n<p>He soon returned to the C\u00f4te d&#8217;Azur, after a short stay in Giverny, Normandy, and even decided to stay in Bordighera, Italy, where he spent three months and produced a profusion of paintings. \u00a0&#8220;He painted the equivalent of a year&#8217;s work in three months,&#8221; says Marianne Mathieu.\u00a0&#8220;When he was in Bordighera, he wanted to paint the T\u00eate de Chien and the &#8220;exotic nature&#8221;. Palm trees became his nightmare, because palm trees move. Monet didn&#8217;t draw, however, so he needed a line that didn&#8217;t move. He was looking for natural lines, but ones that didn&#8217;t move.&#8221;<\/p>\n\n<p>This turbulent &#8220;exotic&#8221; nature did not put Monet off from returning in 1888, but this time to Antibes, where he painted around thirty canvases.\u00a0 &#8220;Monet is authentic in his paintings, they are a faithful representation of the Riviera,&#8221; says the exhibition curator.<span class=\"apple-converted-space\"> &#8220;<\/span>In the exhibition, you can see this explosion of colour when he arrived in the South. Monet was a northern painter, used to mists and muted colours. At first, he painted watery, misty atmospheres&#8230; And when he got to the Riviera, there&#8217;s nothing like it. He said himself that he would have needed a palette of diamonds and precious stones. The exhibition clearly shows this evolution in Monet&#8217;s work, which stays faithful to what he saw.&#8221;<\/p>\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1020\" height=\"794\" src=\"https:\/\/www.monaco-tribune.com\/wp-content\/uploads\/2023\/06\/monet-impressions-soleil-levant-1.jpeg\" alt=\"monet impression soleil levant\" class=\"wp-image-181746\" srcset=\"https:\/\/www.monaco-tribune.com\/wp-content\/uploads\/2023\/06\/monet-impressions-soleil-levant-1.jpeg 1020w, https:\/\/www.monaco-tribune.com\/wp-content\/uploads\/2023\/06\/monet-impressions-soleil-levant-1-385x300.jpeg 385w\" sizes=\"auto, (max-width: 1020px) 100vw, 1020px\" \/><figcaption class=\"wp-element-caption\"><em>Monet, Impression, Rising Sun, 1872. Monet originally painted misty atmospheres &#8211; \u00a9 Mus\u00e9e Marmottan Monet<\/em><\/figcaption><\/figure>\n<\/div>\n<p>His work is so faithful to his vision of the world that the painter never committed his moods or emotions to canvas. &#8220;He never said anything about his feelings or doubts, even though they were legion. He had constant doubts and was deeply dissatisfied,&#8221; said Marianne Mathieu.<\/p>\n\n<p class=\"related\"><a href=\"https:\/\/www.monaco-tribune.com\/en\/2023\/06\/concerts-and-shows-put-art-and-culture-in-spotlight-this-summer-in-monaco\/\">Concerts and shows put art and culture in the spotlight this summer in Monaco<\/a><\/p>\n\n<p>It is an exhibition that is particularly rich in colour, stories and surprises, with around a hundred works from all over the world. &#8220;The story we&#8217;re telling at the Grimaldi Forum is Monet&#8217;s pictorial adventure,&#8221; concludes the art historian.<\/p>\n\n<p>You can visit &#8220;Monet en Pleine Lumi\u00e8re&#8221; from 8 July at the Grimaldi Forum, every day from 10am to 8pm. <\/p>\n","protected":false},"excerpt":{"rendered":"<p>Marianne Mathieu, curator of the exhibition about the painter and the Principality, was the guest at the Rendez-Vous Culturels (Cultural [&hellip;]<\/p>\n","protected":false},"author":60,"featured_media":181739,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[243,251],"tags":[2967],"post_sectags":[4095],"post_format":[2468],"class_list":["post-182336","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news","category-whats-on","tag-exhibitions-en","sectag-hotel-metropole-en","format-story"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v27.5 (Yoast SEO v27.6) - https:\/\/yoast.com\/product\/yoast-seo-premium-wordpress\/ -->\n<title>Monet and the C\u00f4te d&#039;Azur: A story of love and light<\/title>\n<meta name=\"description\" content=\"Marianne Mathieu, curator of the exhibition about the painter and the Principality, was the guest at the Rendez-Vous Culturels (Cultural Conferences) at\" \/>\n<meta name=\"robots\" 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